Batman, Cyclops, and Satan team up to dethrone a secret MCU villain from the Prime Video charts

Michael Keaton’s Knox Goes Away, now topping Prime Video’s charts in Canada, showcases him both in front of and behind the camera as a dementia-ridden contract killer racing against time to right past wrongs. Directed by Keaton himself—his first effort since The Merry Gentleman (2008)—the film centers on John Knox, who, as his memories fade, tries to repair relationships with his estranged son (played by James Marsden) and his confidant (Al Pacino) while managing one final, botched job.

Despite a promising premise, Knox Goes Away suffers from a lack of emotional focus. While the script hints at themes of redemption and mortality, the film instead spends much of its runtime on procedural scenes that, while competently shot, detract from the core drama. Scenes with the police distract from the story’s heart: Knox’s internal battle with dementia and his efforts to reconnect with his family. Critics suggest that if the film had explored Knox’s dementia from a more intimate perspective—using it to obscure information and enhance mystery—it could have elevated the suspense and impact.

While Knox Goes Away may miss some emotional marks, it outshines some recent thrillers on Prime, securing Keaton’s role as a compelling, if imperfect, anti-hero. Even without his iconic roles, Keaton’s presence alone draws viewers to his projects, making him a consistent and appreciated staple on streaming.