A Cronenberg-coded puzzler starring the scream queen of the moment slices through Stephen King for streaming supremacy

As of October 21, MaXXXine—the grand finale of Ti West’s horror trilogy that began with X and continued with the prequel Pearl—is leading the charts on Max, outpacing several iconic horror films, including Salem’s Lot, It, and even X itself. It’s a significant achievement for a film that digs deep into the fabric of horror, re-examining what it means to be alive and how we grapple with our darkest instincts.

The horror genre has undergone a fascinating evolution, morphing from early gothic tales into something much richer and multifaceted. Ti West, along with his collaborator Mia Goth, has become a pioneering force in this landscape, crafting a mythology that feels both fresh and deeply resonant. MaXXXine caps off this trilogy with a bold narrative that explores themes of sensationalist true crime, the ’80s satanic panic, and the tension between fantasy and reality.

What sets MaXXXine apart is its critical lens on exploitation—both in the film industry and in society at large. It tackles how horror, pornography, and true crime often desensitize us to the very real horrors of existence. The protagonist, Maxine, stands in stark contrast to the escapism these genres often offer; she is embroiled in violence not for thrill or fame, but as a necessity for survival. Her journey raises unsettling questions about morality, societal norms, and the very nature of human desire.

Drawing on the philosophies of horror legends like David Cronenberg, who emphasized the significance of the human body in art, MaXXXine doesn’t shy away from the visceral and often uncomfortable aspects of existence. It challenges viewers to confront the reality of violence and exploitation head-on, stripping away the glamorization typically associated with these themes.

The film provocatively illustrates that the violence experienced by Maxine is fueled by a loathing for horror and pornography, rather than an admiration for them. This irony adds layers to the narrative, prompting viewers to reflect on their own relationship with these forms of entertainment. The parallels drawn between police violence and serial killer sprees invite a deeper contemplation of how society consumes violence in various forms—be it through the news, films, or literature.

Ultimately, MaXXXine embodies the adage that art seeks to disturb the comfortable and comfort the disturbed. Its bold exploration of human nature, morality, and the darker corners of existence makes it a standout in the contemporary horror landscape. As it reigns at the top of the Max charts, it’s clear that Ti West and Mia Goth have not only entertained but also challenged audiences to rethink their perceptions of horror and reality.